Every face that is constantly changing, shown in form behind formlessness. Its original, in this & that experience, silent and unchanging. Those masks of the bendy, adapted to the moving, subject to the burden of proof. The change of sides embellishes the will of all that is to be achieved, which has long been. Realised in the permanent dwelling of that unchanging motionlessness. The medal pages appearances of their own realisation. Nothing seems everything NOTHING, NOTHING seems everything in nothingness. Experiencing things in form before formless love and compassion, dwelling in the permanence of being.
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