All seeing is based on the senses of touch, experiencing the formality of objects. The touch perception of the state, whose durability is constantly explored. Every realisation consists of a counterpart, the denial of reality. The ascent of the process follows the descent in its apparentness, subject to constant assumption. That form, the description sound of all that is experienced, flourishes the seeing mass. The richness of knowledge imagines itself in the quality of expression, the foreign respect paid. That loss, of aspiration's while born in descent, praises the moment's glamour in life and death.
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